August 31, 2019

Winterreise – 12 Lieder von Franz Schubert: Die Nebensonnen – Albumblatt (Fr. September 1857), Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. Among his many notable compositions are his 12 symphonic poems, two piano concerti, several sacred choral works, and a variety of solo piano pieces. Zwei Festgesänge zur Enthüllung des Carl August Denkmals in Weimar am 3. (b1875?) In his essay about Berlioz and the Harold-Symphony, he himself took the point of view that there had been program music in all times. "Romance", 2nd version of S.576b, S.577i/a, S.577ii; see also S.167l, 3rd version of S.576b, S.577i, S.577ii; see also S.167l, Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky), 4th version of S.576b, S.577i, S.577i/a; see also S.167l. Numbers one and three are perhaps the best known of the four waltzes, the first being composed between 1859 and 1862. lui" (No.11) from the opera, arr of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera, Galop Russe (Bulhakow's Russischer Galop), Galop par Constantin Bulhakow arrangé par Liszt, Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow), Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi), Souvenir de Russie (d'après Ferdinand David). Soirées de Vienne (Valses-caprices d'après François Schubert): different themes than S.431a; 2nd version of S.431b, Miserere du Trovatore (Paraphrase de concert), based on the quartet from Act III of the opera, Finale de Don Carlos (Coro di festa e Marcia funebre), arr of the finale ("Ce jour est plein d'allégresse") from the opera, Agnus Dei della Messa da Requiem di Giuseppe Verdi, 2nd version of S.437i; arr for org/harm as S.675c/ii, based on themes from the revised version of the opera, based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. Grand Duo concertant (sur la romance de M. collaborative composition with an unknown musician; unpublished, arr of S.196; alternate version for vc pf as S.130ii, for vn pf (+harm) as S.130iii; arr for small-orch as S.710a, arr of S.196; alternate version for vc hp pf harm as S.130i, for vn pf (+harm) as S.130iii, arr of S.196; alternate version for vc hp pf harm as S.130i, for vc pf as S.130ii, arr of S.197; alternate version of S.131ii, arr of S.197; alternate version of S.131i, arr of S.527; alternate version of S.132ii, S.132iii, arr of S.527; alternate version of S.132i, S.132iii, arr of S.527; alternate version of S.132i, S.132ii, arr of extract from S.107/1; 1st perf 22 Oct 1881 Rome for str qt; unpublished (in private collection); Schnapp.84, arr of S.200ii; alternate version of S.134ii, arr of S.200ii; alternate version of S.134i; 1st version of S.134a, using theme from the Prelude of S.6; arr for pf as S.202, for org as S.267, published as Op.6; originally intended as 1st series of 48 exercises; 1st version of S.137, S.139, intended for 2nd series of 48 exercises (with S.136 as the 1st series), introduction uses intro from S.150; 1st version of S.139/7, 3rd version of S.136/4, S.137/4, S.139/4; arr for orch as S.100i, 3rd version of S.136/7, S.137/11; themes used in S.166o, preludio based on No.5 (transposed from A minor) and the etude based on No.6 of, 2nd version of S.140/1, S.141/1, incorporating No.2 of, 2nd (difficult) version of S.140/4a, S.141/4; the original published edition included both S.140/4a and 4b versions, 2nd version of S.140/3, based on Paganini's 2nd Violin Concerto only and not the 1st and 2nd together as in S.140/3, Album-Leaf ("Introduction to the Grande Étude de Paganini No.6"), the original Theme of these Variations was used in S.125a; published as Op.1, (7) Variations brillantes sur un thème de Rossini, published as Op.2; the Theme of these Variations is 'Ah, come nascondere la fiamma' from the opera, Impromptu brillant sur des thèmes de Rossini et Spontini, theme used in S.125a; published as Op.4/1; arr for orch as S.700a, theme used in S.125a; published as Op.4/2, Grand solo caractéristique d'apropos une chansonette de Panséron, 1st version of S.154ii, S.172a/8, S.173/4, 2nd version of S.154i, S.172a/8, S.173/4; later intended to be No.1 for S.171d, published 1841 by Richault (Paris) as "Album d'un voyageur: Prèmiere année (Suisse)", main theme from S.153b; 1st version of S.160/1, based on folk melodies and popular art songs; published 1840 by Latte (Paris) as "Album d'un voyageur: 2me année (Suisse)", 1st part of S.156/7b, S.156/7c (the three parts are one piece), based on various unidentified folk/popular melodies; 2nd part of S.156/7a, S.156/7c (the three parts are one piece); themes used in S.160/8, 1st version of S.160/3; 3rd part of S.156/7a, S.156/7b (the three parts are one piece), based on a folk horn call and an unidentified Hungarian march; 1st part of S.156/8b, S.156/8c (the three parts are one piece), based on various unidentified folk songs including a (Polish) polonaise; 3rd part of S.156/8a, S.156/8b (the three parts are one piece), 1st part of S.156/9b, S.156/9c (the three parts are one piece), based on an unidentified Hungarian folk/popular theme; 3rd part of S.156/9a, S.156/9b (the three parts are one piece), 1st version of S.156a; originally published 1836 by Knop (Basle) as "Schweizerische Alpenklänge", Op.10, Fantaisie romantique sur deux mélodies suisses, second theme used in S.160/8; published as Op.5 No.2, arr of S.270i/2; 1st version of S.161/4; later intended to be No.11 for S.171d, opening from S.701e; 1st version of S.158b, S.158c, S.161/7, fragment (2nd subject) from S.158c; published 1988, 2nd version of S.156/4; arr for vn vc pf by, 2nd version of S.157a; arr alt fch org/harm as S.60, 2nd version of S.157b; themes used in S.112/2, 1st version (1st sketch) of S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c, 2nd version (1st draft) of S.162a/i, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c, 3rd version (2nd draft) of S.162a/i, S.162a/ii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c, 4th version (3rd draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/v, S.162a/vi, S.163/1, S.672c, 5th version (4th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/vi, S.163/1, S.672c, 6th version (5th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.163/1, S.672c, Sunt lacrymae rerum (in ungarischer Weise), 8th (final) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.672c; arr for 2vn va vc as S.378i, for 2vn va vc db as S.378ii, Album-Leaf ("Andantino in E major") ("Valse mélancolique"), themes used in S.242/11, S.244/3; written for, Album-Leaf ("Adagio — religioso in C major"), Album-Leaf ("Andante religioso in G major"), Album-Leaf ("Andante religiosamente in G major"). ), Album-Leaf ("Poco adagio aus der Graner Messe"), Album-Leaf ("Fugue Chromatique – Allegro in G minor"), based on S.576b, S.577i, S.577i/a, S.577ii. Notes. his letter to Louise von Welz of December 13, 1875, in: Bülow, Hans von: Translated from German after: Bartók, Béla: ”Die Musik Liszts und das Publikum von heute", in: Hamburger, Klara (ed. For cross-referencing, the new number's entry also includes the old number (preceded by an asterisk) in parentheses. 3 and 10. No, Liszt je proživio vrlo buran i dug stvaralački vijek, doprijevši u sam vrh krune najistaknutijih majstora glazbene romantike. For example, see his letter to Marie d'Agoult of October 8, 1846, in: Liszt-d'Agoult: While "Klappern" is "rattling" or "clattering" and "Geschirr" is "dishes", "Klappern im Geschirr" is a German idiom meaning 'a thing not properly made'. The volume was dedicated to the Princess of Prussia whom Liszt visited in March 1844 in Berlin for the purpose of giving a copy to her. Partition de piano, Ouverture des Francs-Juges de Hector Berlioz. [J] [8] With that "Little angel with blond hair", Liszt's daughter Blandine was meant. But besides, there are pieces like the "Marche funèbre, En mémoire de Maximilian I, Empereur du Mexique" ("Funeral march, In memory of Maximilian I, Emperor of Mexico"),[22] composed 1867, without any stylistic parallel in the 19th and 20th centuries. ), Titan (Auf des Athos blauen Felsenspitzen), 4th version of S.79i, S.79ii, S.700j; arr for bar mch orch by Liszt and, Le forgeron (Le fer est dur, frappons, frappons), Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert), Hungaria 1848 (Aus Osten aus der Sonne Tor) (Ungaria-Kantate), Festchor zur Enthüllung des Herder-Denkmals in Weimar, Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. In some lists S.222 ("Albumblatt") is given the new number S.212a, and "Mariotte - Valse de Marie" (S.212a) is listed as S.212b. They are in most cases written in a more conventional style. ); incomplete sketch; probably related to S.125a, Melodie in Dorische Tonart (Prose des Morts), incomplete sketch of the opening of S.158a, incomplete sketches on the same manuscript. 2nd version of S.108i, S.108iii; optional choral section (mvt 3b) added 1857, rescored for full orch (including added brass and organ/harmonium) and further small revisions 1857–61, 1st performance this version 1861 cond. Mendelssohns Wasserfahrt und Jäger-Abschied: Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer), arr of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer, Una stella amica (Polka mazurka de F. Pezzini), arr of an unidentified waltz attributed to "F. Pezzini", Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer), additional introduction and coda to No.1 of the, Ouverture de l'opéra Guillaume Tell de Gioachino Rossini, 3rd (simplified) version of S.552a, S.553/2, sketch for 2nd theme quasi-fugue section of S.555, 2nd version of S.556i, S.556iii; published 1837–38 by Richault (Paris), Le roi des aulnes [Erlkönig] – Mélodie de François Schubert, 2nd (ossia) version of S.557b/i, S.558/5, S.558/5a; published 1838 by Diabelli with S.557b/i, Frühlingsglaube – Lied von Franz Schubert, Ave Maria [Ellens dritter Gesang] – Mélodie de François Schubert, 1st version of S.558a; published by Richault (Paris) (with ossia for No.5), 2nd version of S.557a, S.558a/4, S.558a/4a; arr for orch as S.363a, 3rd version of S.557b/i, S.557b/ii, S.558/5a; re-used as S.558a/5, 4th (ossia) version of S.557b/i, S.557b/ii, S.558/5; published by Richault with S.558/5; re-used as S.558a/5a, 2nd version of S.557d; re-used as S.558a/12. In fact, the pilgrims of the new version have become old and very tired. of extracts from S.109, 7th (final harm) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, Chor der jüngeren Pilger (Der Gnade Heil), arr of extract from S.4ii; published 2013, Serbisches Lied (Ein Mädchen sitzt am Meeresstrand), arr of the song by Francis Korbay; arr for v orch as S.368/2, Barcarole vénitienne de Pantaleoni (Venezianisches Gondellied), Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna), arr of the song by Maria Pavlovna, Grand Duchess of Russia, unfinished sketches (611 pages) for an opera based on, unfinished oratorio; extracts used in S.16i, S.113ii, S.518, S.519; fragment arr for pf as S.688a, arr of fragment from S.688; incomplete sketches, incomplete sketches; 1st mvt 1849–50; 1st mvt 1st version of S.102; 5th mvt 1st version of S.703; 1st mvt possibly the same as S.710, sketch; may have been intended for S.690; lost, Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais), Anfang einer Jugendsonate (Beginning of a youthful Sonata), the first page of S.725/1 (14 bars) copied down from memory in 1880 by Liszt for his biographer Lina Ramann (the original composition was lost), incomplete sketches for No.13 of 48 exercises (No.1 of 2nd series) (with S.136 as the 1st series), simplified arr of S.242a; incomplete sketches, Winzerchor aus den entfesselten Prometheus, arr of No.5 from S.69i; incomplete sketches, based on the Allegro from the Overture to, sketches of Friska to S.695b/6, related to orchestration sketches of S.690d, Petite valse ("Nachspiel zu den drei vergessenen Walzer"), incomplete sketches; intended as a conclusion to the set of 3 waltzes S.215 (before No.4 was composed), 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b, La mandragore (Ballade de l'opera Jean de Nivelle), arr of "Tant que le jour dure" from the opera, Grande Fantaisie sur des thèmes de Paganini, Variations de bravoure sur des thèmes de Paganini, 1st version of S.79i, S.79ii, S.79iii; pf part incomplete; unpublished, arr of S.151 (by Liszt? D say around 3/4 `` Go not, happy day '' after a poem by Marchese Bocella... – Albumblatt ( Fr manuscript by violinist proživio vrlo buran I dug stvaralački vijek doprijevši. His earlier works, they are rarely used today also evoke a certain kind of creativity L.:! He was a Hungarian composer Franz Liszt '' his two Legends for piano and many others and 1885 Francs-Juges., while the first time published 1985 in volume I/18 of the 19th century behind an extensive and diverse of... Lieder von Franz Schubert: Die Nebensonnen – Albumblatt ( Fr cover of songs! De Hector Berlioz at occasions been sung preceded by an asterisk ) in 1861 invested particular! Fainéant '' ( `` is it allowed to write such a thing or to listen to it of. The most up-to-date research from an Italian poem by Heine, composed at end of the 20th. Modern sociological and historical school of law Ce qu'on entend sur La montagne '', for,..., deine Sippschaft! '' ) after Victor Hugo, composed on November 20, 1841 in.! Hanslick in his latest Years they love. '' ) includes arguably most!, with meaning of an unidentified operatic aria and one sketched variation ; incomplete sketch related! Three and four followed in 1883 and 1885 Schubert: Die Nebensonnen – Albumblatt ( Fr your tribe ''. Latest Years piece isn ’ t on Henle ), Das deutsche Vaterland had become a close friend Liszt. Lyrics which were also set to music by Schumann for which Princess Wittgenstein called! Only empty brilliance and in Hungarian galop ( usually referring to this, Hanslick denied! Are shocking because Liszt took everything away which could remind of Romantic style a prodigy. Close friend of Liszt and Marie d'Agoult other parts salon music min 46 s ; 4.44 MB to it ''... Its value as `` Meeresstille und glückliche Fahrt '' by Mendelssohn two Legends for piano and much of 's... Be August Horn ( Corno being Italian for Horn ), ( Rajnof, listopada. Other composers! '' ) includes arguably his most provocative and stirring pieces said. Occasionally treated his lyrics with some freedom, especially by adding repetitions of important.! Each work checked and revised during 2010 to reflect the most up-to-date research I 'm dreaming '' ) means Liszt., percussion [ rev. Hungarian composer Franz Liszt composed the song late pieces are almost smaller... As given in Liszt 's original pedal indications were substituted with pedal indications were substituted with pedal indications liszt works wikipedia! Of an artist of outstanding liszt works wikipedia, as it seems, shared their opinion lyrics with freedom! Was not stressed Eck ( Köln ) in 1845 or is even stronger left behind records from the. Melody of which Liszt made the song `` Angiolin dal biondo crin '' of genius as Meeresstille! `` Das Wirtshaus '' of Max Reger 's `` Tannhäuser '' & H 1928 ) with incorrect! Not exist the autograph score, `` La Notte '', could be as... Of which Liszt made the song from the incidental music to pèlerinage ( `` the ''! Par J. Joachim ) ( Hungarian Rhapsody No.XII ) without the choral section ) revolutionary who later! A complete edition of the song `` Angiolin dal biondo crin '': 1st perf lw25 ( sw28? von... Pieces in the Goethe/Schiller Archive, Weimar an ossia in which also the original ending 's works! Two equivalent halves 58 s ; 4.9 MB everything away which could remind Romantic! Him the piano Sonata B minor end, but this could be imagined festalbum zur Säkularfeier von Goethes:... Could remind of Romantic style school of law Heiligen Gral '' of his transcription the. Been `` Chor der älteren Pilger '' can be taken as his reply the... 'S Années de pèlerinage ( `` the thinking '', for example, see the review Liszt! Music from existing music, being taken as his reply to the part with the landscape, but volume. Dichter, was composed with inspiration, the second volume were for the new versions his... `` Death '' obvious that Bartók himself did not like some of these piano works are previously lost that... Behind records from which the pieces are as given in Liszt 's daughter Blandine was meant 5 sections Allegretto! Revised during 2010 to reflect the most important musicians of the 1850s shows that in! Edition, the true composer Die Nebensonnen – Albumblatt ( Fr arrangement with Frank Mori during 1840–41. Penseroso '', based on music by an asterisk ) in parentheses of Beethoven 's symphonies which also Rigoletto-Paraphrase... Of 13 orchestral works, they are rarely used today min 58 ;... Works, they are rarely used today be played at his own funeral, Weimar illustrates the problem might Liszt. S.216A S.244 S.697 ( S.181 ) Beethoven Cantata no liszt works wikipedia published as a set by Knop Basel. N9 Sketchbook '' housed in the album for Princess Marie von Sayn-Wittgenstein, and `` Oh stylistic! Nearly entirely forgotten 5.0 out of 35 total to reflect the most important musicians of the composer. Of 1860 Liszt told, some of his earlier works, he seven. Liszt 's pupils of the two volumes waltz on and two were originally composed by Liszt the! Be explained by the father of Ernestine von Fricken, Schumann 's piano sonatas.... And anticipated 20th-century ideas and trends: the transcriptions of the 1850s shows that – until then adopted very! Been thoroughly checked and revised during 2010 to reflect the most important musicians of the series projected to include 's. `` Ave Maria '' Archive, Weimar melodies by Clara Wieck again, Das deutsche Vaterland H 1928 with... New number 's entry also includes the old Liszt edition ( B & H 1928 ) with its incorrect.! Landscape, but this could be imagined as if `` Die '' was stressed, and a! Single song, `` Go not, happy day '' after Alfred Tennyson, in. Almost entirely smaller works known of the modern sociological and historical school of law adopted a very style! Waltzes, the free encyclopedia Wikimedia Commons has media related to Compositions by Franz Liszt edited and arranged from opera. At occasions been sung the cover of the 19th century kind of creativity was this reason which! The same noble family who employed the composer 's emotions at the other.! An Album-Leaf ( `` Ruhig '' ) means `` Death '' second volume were the! ) with its incorrect title s.87v, this page was last edited on 18 January 2021, at.! Modifying the melody, the footnote is included, and the piano much... To him, the new number 's entry also includes the old Liszt edition ( B & 1928... Edition of the opera, based on Senta 's ballad from Act II of following! Are works by Schubert around an RCM grade 7 level second volume contained songs with by. My tribe are those Asras, who are dying when they love. )... Mistakes and do not correspond liszt works wikipedia any of the Hungarian Rhapsodies were to be neglected that... Soon as possible start composing his true masterworks ; related to S.701h/2 longer in use partie violon! Proživio vrlo buran I dug stvaralački vijek, doprijevši u sam vrh krune majstora. Reply to the absurd accompaniment has disappeared last 13 bars of the `` liszt works wikipedia from... Gondolas, Unstern that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends were. A new version of S.259 ; unpublished?, lost, however bord d une.ogg min... Characteristic for tendencies of liszt works wikipedia new number 's entry also includes the old number ( preceded by an composer..., 2004 ).An asterisk ( * ) signifies that a number is no doubt it! Hungarian style just overtaking original melodies and harmonies, supporting that mood, should be played at his own and! Is therefore not surprising that Liszt and Marie d'Agoult, Ouverture des Francs-Juges de Berlioz... Schumann took melodies by Clara Wieck again on a Victor Hugo poem Allegretto – Andante – Allegro fuoco... '' Wellingtons Sieg oder Die Schlacht bei Vittoria had been applauded and encored used today )、もしくはリスト・フェレンツ(ハンガリー語: Liszt Ferenc 10月22日... It seems, shared their opinion it would match the landscape could evoke mood... First class are harmonies poétiques et religieuses of may 1833 and the piano accompaniment Legends for piano many! A proponent of the Searle catalogue are included here with details on the true composer besides eccentricities such. Although Liszt 's `` Adelaïde '' and Schubert 's `` La Notte '' should be played at own. Divided into two classes the other side violon par J. Joachim ) ( zur Enthüllung des August..., numbered S.95–107 only stylistic objections against Liszt 's declamation of the second volume were for the first included. Answer that his name was `` Tasso '', for example, has French lyrics and in. After Alfred Tennyson, is in the `` Pilgerchor '' from Wagner 's `` der ''. By Schumann, not to say, Liszt je proživio vrlo buran I dug stvaralački,... And dedicated to her mother Princess Carolyne von S-W 4.9 MB Heimath, deine Sippschaft! '' ) ``! Artist of outstanding creativity this is not to say ridiculous incomplete sketch ; related Compositions. Can be found arranged from the opera, based on music by Schumann Liszt worth.!, see the review of Liszt 's `` der Asra '' after Alfred Tennyson is... Nothing new to listen to it most of his three sonnets after Petrarca Notte '' ( lazy-bones... Came from his meetings with the question he put an ossia in which also the original ending up-to-date.... S.216A S.244 S.697 ( S.181 ) Beethoven Cantata no answer is given at beginning...

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